GALLERY NEWS 27 JANUARY 2010: Leonard French, Garry Shead, Ray Crooke, Brett Whiteley

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au

website: www.evabreuerartdealer.com.au

Important Australian Paintings

Leonard French (b.1928)

Leonard French (b.1928)
Winter Fountain c.1987-93
enamel and gold leaf on hessian on composition board
122 x 137 cm
Signed: l.r. 'French'
Provenance: Private collection Perth
no.11197

Throughout his career as an artist Leonard French has held true to the philosophy of art at the service of the common man. His works frequently depict epic stories, such as the Iliad, the Odyssey and events from the Bible. These stories allow him a platform to explore universal themes, most frequently the struggle and spiritual journey of a hero. His highly individual and distinctive works reveal a plethora of influences, from Byzantine mosaics (his symmetry and precision), to Gothic (bright colours outlined in black), Romanesque architecture (squat, solid figures) Cubism and the work of Léger to name but a few. This work, Winter Fountain, exemplifies all these elements. The two figures in the work – one black, one white and both with distinctive rounded heads, first began appearing in French’s work in the late 1980’s. Like many facets of French’s work they appear to be highly symbolic, but with the exact meaning intended by the artist obscured. Other works with these figures include The Release (in the collection of the Bendigo Art Gallery), Duet and The Tightrope (both in private collections.)

French's work is represented at the National Gallery of Australia, Canberra, all state galleries, most regional galleries and is also included in many major international collections, including the MoMA, New York. French also completed numerous monumental commissions in Australia, the most famous being the glass ceiling in the Great Hall at the National Gallery of Victoria.

Visit our web site to view other important Australian paintings


Garry Shead (b.1942)

Garry Shead (b.1942)
Dancer c.1998
Oil on board
59 x 43 cm
Signed 'Shead' lower left
Provenance: Private collection Sydney
no.11134

As Sasha Grishin describes the series: “Throughout the series the constant recurring motif is that of the fully clad male dancer, usually shown in an evening suit and occasionally appearing slightly awkward and uncertain of himself, accompanied by a nude, or an almost nude female dancer. On one very basic level there is the aspect of voyeuristic erotic wish-fulfillment, drawing on the surrealist strategy of undressing the woman with the male gaze that had been so effectively employed by Renne Magrite. Shead’s female dancers are of great sensuous beauty and lyrical charm. There is a hint of a more metaphysical dimension of this dance, relating it to the dance of life as interpreted by artists like Edvard Munch. The Dance is performed on an allegorical stage like the arena of life, sometimes with an awareness of an audience and sometimes under the harsh glow of the spotlights. In most of the ‘Dance Sequence’ paintings there is an indication of an open door in the background, at times shown as the source of light, but in all instances the door way is a path for escape. Shead achieves in this series of paintings a great lyricism in the paint surface, a warm sensuousness through which the female flesh glows in a rich radiance. Increasingly these intimate interior settings allude to ambiguous and seductive dream-like reality where ideas and interpretations float free from gravity and verbal associations."

Reference: Grishin S, Garry Shead and The Erotic Muse, Craftsman House, 2001 p.166.

Visit our web site to view other paintings by Garry Shead


Ray Crooke (b.1922)

Ray Crooke (b. 1922)
Villagers Relaxing
oil on canvas
75 x 61cm
signed lower left 'R. Crooke'
Provenance: Private collection Sydney
no.11049

Visit our website to view other paintings by Ray Crooke


Brett Whiteley (1939-1992)

Brett Whiteley (1939-1992)
The Luxembourg Gardens (glimpse) (detail)
Pen and Ink on Paper
55.5 x 75 cm
Initialed 'BW' lower right
Illustrated: Brett Whiteley: Paris Regarde de Côté, Australian Galleries, 1990, Plate 41.
Provenance: Australian Galleries
Private collection Melbourne since 1992
no.11042

The Luxembourg Gardens (glimpse) is part of a series of works on paper which Whiteley produced in Paris between June and July of 1989. Whiteley had rented an apartment on the Rue de Tournon and produced one work a day for 60 days. These are regarde de cote (sidelong glances), which Whiteley saw as the answer to creating images of the city which were not cliché. "millions of pictures have been painted – how to find a new vision is the challenge. What one is after is a high-octane visual poetic journalism, brief, essential and above all fresh. This can best be achieved by drawing, and not the heavy métier of oil paint." Offered for the first time since it was acquired from the Paris Regarde de Coté exhibition this is a superb example of Whiteley's masterful draughtsmanship.

Reference: Brett Whiteley's introduction to: Brett Whiteley: Paris Regarde De Côté, Australian Galleries, 1990.

Visit our website to view other artworks by Brett Whiteley


John Coburn (1925-2006)

John Coburn (1925 - 2006)
Central Desert Painting
Oil on canvas
183 x 244cm
no.10080

Visit our website to view other paintings by John Coburn


Elisabeth Kruger (b.1955)

Elisabeth Kruger (b.1955)
Cirque 2008
oil on linen
122.5 x 153cm
no.10884

Visit our web site to view other paintings by Elisabeth Kruger


Ken Whisson (b.1927)

Ken Whisson (b.1927)
A Day in the Country 1967
Oil on board
73 x 102cm
Signed 'WHISSON' upper left
Inscribed verso "A DAY IN THE COUNTRY" / A DAY IN THE COUNTRY / CLEAR AND COLD / "THE FOXES ON THE HILLS BARKED CLEAR AND COLD"
Provenance: Watters Gallery, Sydney; Esa Jaske Gallery, Sudney
Exhibited: Ken Whisson: Paintings 1957-1985, Broken Hill City Art Gallery, New South Wales, 1985 (cat. 13)
Reference: Ken Whisson Paintings 1947-1999, Niagara Galleries, Melbourne, 2001, p. 120, cat. 19 (illustration p. 35)
Ken Whisson: Paintings 1957-1985, Broken Hill City Art Gallery, New South Wales, 1985, p. 50, cat. 13 (illustration p. 31)
no.7991

Ken Whisson is represented in the National Gallery of Australia, all state galleries, many regional galleries, as well as many other important public collections in Australia and overseas. He has been the recipient of many awards including the 1979 John McCaughey Memorial Art Prize.

Ken Whisson's highly individual form of painting is often derived from and stimulated by memory and intuition. John MacDonald explains that Whisson is "asking the viewer to see with the eye of the mind rather than expecting a perfect match between the object and it's representation." In A Day in the Country, Whisson pushes the paint around his canvases at oblique and obscure angles, creating opposing red, green yellow and blue shapes and forms which echo a figure or a chair a dog or a boat. The resulting painting is fluid and dynamic.

Illustrated: McDonald. J., et al, Ken Whisson Paintings 1947 - 1999, Niagara Publishing, 2001, p.35.

Visit our web site to view other important Australian paintings


Roland Wakelin (1887-1971)

Roland Wakelin (1887-1971)
Terrace Houses Double Bay 1963
Oil on board
45 x 64 cm
Signed 'R.Wakelin 63' bottom left
no.11144

Provenance:
Private collection, Melbourne
Private collection, Sydney

Exhibited:
Toorak Art Gallery (label attached verso) - On loan from Mr P English
Geelong Art Gallery (label attached verso)
Roland Wakelin Retrospective Art Gallery of NSW 8 - 30 April 1967 cat no.87
Roland Wakelin: Master of Colour, A Newcastle Regional Gallery Touring exhibition, 2002
Toured to Newcastle City Art Gallery 10-13 May 1967

Illustrated:
Roland Wakelin: Master of Colour, A Newcastle Regional Gallery Touring exhibition, 2002

Visit our web site to view other paintings by Roland Wakelin


Patrick Hockey (1948-1992)

Patrick Hockey (1948-1992)
Untitled 1975
oil on board
44 x 44 cm
signed 'Hockey 75' lower left
provenance: private collection Sydney
no.9656

Patrick Hockey is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other important public collections both in Australia and internationally.

Hockey’s Australian ‘Outback Hotel’ series (loosely worked renderings of outback hotels and their patrons) capture the essence of the sun-hardened heart of the land and it’s quintessentially Australian characters.

Visit our web site to view other important Australian paintings


Arthur Murch (1902-1989)

Arthur Murch (1902-1989)
Leda and the swan
Oil on board
39.5 x 49.5 cm
no.5186a

Arthur Murch, a Sydney based painter, trained under Dattilo Rubbo and the sculptor Raynor Hoff in the early 1920s. Murch is renowned for his ability to recreate luminosity in paint. He won the NSW Society of Artists Travelling Art Scholarship in 1925 and worked as a studio assistant to George Lambert before travelling throughout Europe in the 1930s. He was appointed Official War Artist in 1942 and won the Archibald prize in 1949. Under Lambert, Murch developed a romantic style of painting. His paintings portray an idyllic version of Australian life, depicting a playful Arcadian seaside existence. Experimenting with colour, pattern and light, Murch developed a distinctive style.

Arthur Murch is represented in the National Gallery of Australia and the Australian War Memorial, Canberra, and all State and many regional galleries.

Visit our web site to view other important Australian paintings


Jean Appleton (1911-2003)

Jean Appleton (1911 - 2003)
Early Morning Light c.1978
Oil on board
78 x 99 cm
no.5100

Jean Appleton is represented in many state and regional galleries as well as other public collections in Australia and overseas including the Museum of New Zealand Te Papa Tongarewa. She was the recipient of many coveted awards including the inaugural Portia Geach Memorial Prize in 1965.

“Jean Appleton’s practice has always tended to still lifes and landscape, and since the mid-1970s at least she has been almost exclusively involved in painting interiors – works which at one level vary little in the flowers, fruits, furniture, jugs and drapery they utilise – and yet provide, as the still-life genre has traditionally done, endless possibilities for the artist to contemplate reality, experiment visually, and construct a vocabulary of creative expression."

Reference: Simpson, Caroline, Jean Appleton: a lifetime with art, Woollahra, N.S.W, 1998 pp.89

Visit our web site to view other important Australian paintings


Brian Dunlop (1938-2009)

Brian Dunlop (1938-2009)
Malatesta Kneeling 1979
oil on canvas
121 x 169cm
no.5599

Visit our web site to view other important Australian paintings


Ena Joyce (b.1926)

Ena Joyce (b.1926)
Bathing Sheds Round the Bay c.1958
oil on board
39.5 x 44cm
no.7231

Bathing Sheds Round the Bay c.1958 is a beautiful example of Joyce’s wonderful colour harmonies and sensitive observation of light.

"While teaching at Ballarat I met my future husband. We lived in Melbourne where I often painted round Port Phillip Bay and the areas familiar to Clarice Beckett." Ena Joyce

Visit our website to view other paintings by Ena Joyce




Introducing Andrew Paviour

Andrew Paviour
Wedding Reception
oil on canvas
66 x 76 cm
no.11189

Visit our website to view other paintings by Andrew Paviour


Andrew Paviour
At the Races
oil on canvas
76 x 84 cm

Visit our website to view other paintings by Andrew Paviour




Contemporary Australian Paintings

Adriane Strampp (b.1960)

Adriane Strampp (b.1960)
Stags 2009
Oil on linen
101.5 x 101.5 cm
no.10650

Visit our website to view other paintings by Adriane Strampp


Christopher McVinish (b.1952)

Christopher McVinish (b.1952)
The Ongoing Moment
oil on canvas
110 x 110cm
no.11196

Visit our website to view other paintings by Christopher McVinish




Featured Graphic

Fred Williams (1927-1982)

Fred Williams (1927-1982)
Upwey Landscape 1965-1966
etching 16/22
21 x 13cm
signed 'Fred Williams' lower right
no.97355

Fred Williams is represented in the National Gallery of Australia, most state galleries, many regional galleries as well as many other public collections throughout Australia. Upwey Landscape 1965-66, a rare etching of this period, is an example of the unique visual shorthand which Williams devised to capture the beauty of the Australian landscape.

Visit our web site to view other graphics by Fred Williams

Current Exhibition

January
Gallery 1 & 2: Summer Exhibition


Upcoming Exhibitions

February
Gallery 1 & 2: Summer Exhibition

March
Gallery 1: Autumn Exhibition
Gallery 2: Wayne Eager

April
Gallery 1: Autumn Exhibition
Gallery 2: Pam Sackville

Please send us an email if you wish to be added to the weekly newsletter list.

Brian Dunlop - Ovens and Murray Advertiser Newspaper

Brian Dunlop - Sydney Morning Herald

Brian Dunlop - Financial Review

Brian Dunlop (1938-2009)

Brian Dunlop (1938-2009)

Untitled (Self-Portrait) 1985

lithograph 12/20

32.5 x 31.5 cm

It is with great sadness that we announce the passing of Brian Dunlop (1938-2009) one of Australia’s greatest painters and a dear friend.

Brian died yesterday morning, 9 December, in Melbourne after a long battle with a congenital heart condition. He was 71.

An artist of great sensibility, of great intellect and virtuosity, Brian was an exceptional professional; sought after by collectors, revered by his colleagues, and loved by all who knew him. The body of work he leaves behind includes some of the most important figurative paintings produced in Australia. The best of Brian’s works exude a poetic vulnerability and sensuality, perhaps seen in a silent pause or the lift of a curtain in the breeze. For many years Brian restricted his range of subject matter to the interior with window, often including a figure or still life. In these works "The room represents the mind, the windows the eyes looking out, curtains are the eyelids. A window is the division between inner and outer, spiritual and worldly. The figure later stood in the doorway, the threshold; then she ventured outside into the landscape." Whether painting the figure or the landscape, overpowering everything in Brian’s work is light. In April reflecting on his latest compositions he wrote, “The correct balance can be pure energy.”

Having inherited his love of painting and drawing from his father, Brian won a scholarship to study at the National Art School from which he graduated at the end of the 1950’s. There was a strong tendency towards abstraction in Sydney at that stage and it wasn’t until he reached Rome some years later that Brian found his ‘true’ way. “Justin O’brien had looked at sketches and drawings I had done in Rome and said that they were more 'true to you' than the abstract work. He said 'Keep doing them, and they will evolve', so I did.”

Brian had an insatiable appetite for the history of art, particularly European art, as a practising painter. “I have also always liked what I regard as the true American tradition which includes a deep respect for nature and wilderness and social comment (Frederick Church, Winslow Homer, Thomas Eakins, Edward Hopper and Andrew Wyeth).” Of continuing interest to him were artists as different as Piero della Francesco (he had seen all his paintings), Vermeer and Braque.

After working for twenty years in and near Port Fairy on the south west coast of Victoria, Brian had recently moved to Beechworth, where he painted his last exhibition.

Brian Dunlop is represented in the National Gallery of Australia, the National Portrait Gallery, all state galleries, many regional galleries and numerous other public collections throughout Australia including the High Court, Canberra. He was the recipient of the 1981 Sulman Prize, the 1999 Savage Club drawing prize, the 1978 Andrew and Lillian Pedersen Drawing Prize , the 1976 and 1977 Civic Permanent Award, the R N Ansett Hamilton Award and the 1958 Robert Le Gay Brereton Drawing Prize. Over sixty or more years Brian accepted commissions from some of the most prominent entities in Australia including two sets of postage stamps from Australia Post and over ninety portrait commissions, including a Governor-General, three Chief Justices, three Archbishops and Victoria’s sesquicentenary portrait of the Queen (1984).

Brian was part of the gallery family for more than 15 years. Our thoughts are with his family and loved ones. We farewell him with the greatest respect.

Quotations from a letter from Brian dated May 2006.

Collection: Spring

Eva Breuer Art Dealer would like to introduce our Spring collection of paintings. The weather is warming up and the blossoms are blooming. Artist include: Sir Sidney Nolan, Brett Whiteley, Elisabeth Kruger, John Coburn, Brian Dunlop, Geoffrey Proud, Stephen Nothling, Don Rankin, Brian Seidel, Jamie Boyd, John Olsen.

Gallery News 23 September 2009: Elisabeth Kruger, Sidney Nolan, John Coburn

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au

New in the gallery

Elisabeth Kruger (b.1955)

Elisabeth Kruger (b.1955)
Climber 2007
oil on linen
153 x 122cm
no.10891

Visit our website to view other works by Elisabeth Kruger

Elisabeth Kruger (b.1955)
Four rose buds 2007
oil on linen
92 x 122cm
no.10883

Visit our website to view other works by Elisabeth Kruger

Elisabeth Kruger (b.1955)
Cirque 2008
oil on linen
122.5 x 153cm
no.10884

Visit our website to view other works by Elisabeth Kruger

Elisabeth Kruger (b.1955)
Spill 2007
oil on linen
122 x 122cm
no.10885

Visit our website to view other works by Elisabeth Kruger


Stephen Nothling (b.1962)

Stephen Nothling (b.1962)
Cover of darkness 2 2009
oil on canvas
160 x 190cm
no.10879

Visit our website to view other works by Stephen Nothling

Stephen Nothling (b.1962)
In the moonlight 2009
oil on canvas
107 x 70cm
no.10881

Visit our website to view other works by Stephen Nothling




Important Australian paintings

Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
Untitled (Gallipoli Series) 1960
Ripolin enamel on paper
30.3 x 25.3cm
Signed lower left: Nolan
verso: Oct 20th 1960 / Nolan
no.95999

Provenance: The artist, Private collection Sydney

Nolan's Gallipoli series is the subject of the major exhibition Sidney Nolan: The Gallipoli Series, currently at the Australian War Memorial.

Nolan donated works from this series to the War Memorial in 1978 in honour of his brother who died in an accident before the end of the Second World War.

Visit our website to view other works on paper by Sidney Nolan

John Coburn (1925-2006)

John Coburn (1925-2006)
Plants in Moonlight 1972
Oil on canvas
106 x 113cm
Signed 'Coburn' lower right
no.8229

The Garden is an important motif in Coburn’s body of work. There are obvious connotations to the Garden of Eden but of significance are his childhood memories of northern Queensland and the tropical rainforests with their deluge of lush colours.1 As Nadine Amadio explains, “the memory of youth among rich tropical plant growth, of rainforests and tropical jungles, has remained with him as an essential and evocative part of his symbolic language … Sometimes when his foliage and plant shapes have the exotic and overgrown mystery reminiscent of Henri Rousseau, it seems glowingly evident that he is haunted by the world of his earliest childhood.3” In 1953 an exhibition of contemporary French painting by Matisse, Picasso, Leger, Mannessiere de Stael and others was hung at the Art Gallery of New South Wales. French Painting Today made Coburn feel for the first time that here was an art that was relevant to him. Coburn recalled in an interview with Lou Klepac that it was at this point that the Garden became an important subject in his work. He recalled seeing a garden shortly after viewing the exhibition – “I went home that night and did a painting of it. It was an abstract painting, but it was all about that garden and that was my first success as a painter.”2

1 Rozen, A., The Art of John Coburn, Ure Smith, Sydney, 1979, p.8.
2 John Coburn quoted in, Klepac, L., John Coburn: The Spirit of Colour, The Beagle Press, Roseville, 2003.
3 Amadio, N., John Coburn: Paintings, Craftsman House, Roseville, 1988, p.7.

Visit our website to view other works by John Coburn

Geoffrey Proud (b. 1946)

Geoffrey Proud (b. 1946)
Sunday Morning 2007
oil on canvas
59.5 x 90 cm
signed lower right
no.9715

Often quirky and verging on the surreal, Geoffrey Proud's paintings in oil and pastel are like fractured fairytales. Depicting a world of innocence with a sometimes ominous edge, Proud's paintings are fantastic and bizarre. His choice of subjects is broad, including children and childhood narratives, flowers, still lifes and nudes. Alternating between expressionist impasto brushwork and sensitive detail, he experiments freely with vibrant colour and varying textures. The highly glazed surfaces of his recent oils give his scenes an ethereal and otherworldly quality. Proud has won numerous awards including the Sulman Prize in 1976 for a painting on perspex, and the Archibald prize in 1990 for his portrait of writer Dorothy Hewett. He has exhibited consistently in all state capitals since 1966 and is represented in the National Gallery of Australia, Canberra; many State and regional gallery collections; Parliament House collections in Canberra and Sydney; Artbank; IBM collection; and the Elton John collection, London.

Visit our website to view other works by Geoffrey Proud

Brian Dunlop (b.1938)

Brian Dunlop (b.1938)
Towards Plato 1
Gouache on paper
33 x 48cm
no.9547

Brian Dunlop is one of Australia's foremost representational painters. He is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as numerous other public collections throughout Australia and overseas. He has won numerous coveted awards including the 1981 Sulman Prize. Dunlop's Large Lagoon 2009 was a finalist in this year's Tattersall's Club Landscape Art Prize. The above painting is the pair to a similar work which has recently been acquired by the Art Gallery of New South Wales.

Visit our website to view other works by Brian Dunlop

Current Exhibition
Closes tomorrow

Tony Irving (b.1939)
Other places, other views

Tony Irving (b.1939)
Siesta in Constantina 2009
oil on linen
118 x 151cm
no.10416

Visit our website to view other works by Tony Irving

Upcoming Exhibition

Judy Cassab (b.1920) & John Seed (b.1945)
The Two of Us

Opening Wednesday 30 September 6-8pm
by the Hon. Justice Michael Kirby AC CMG

Judy Cassab (b.1920)
Red Still Life 2008
Oil on canvas
60 x 44.5 cm
signed 'Cassab 08' lower right
no.10666

Visit our website to view other works by Judy Cassab

John Seed (b.1945)
Into The Wind
Galvanised painted steel
30 x 25 x 35cm

Visit our website to view other works by John Seed

Sale Section

Ray Crooke (b.1922)

Ray Crooke (b.1922)
Greetings 2007
oil on canvas on board
59 x 49cm
Signed: 'R Crooke' lower left
Provenance:
Phillip Bacon Gallery Brisbane
Private collection Sydney
no.10537

Crooke's broad-leafed tropical vistas in vivid colours and contrasted areas of light and dark, often likened to Gauguin, are among the most important in Australian landscape painting. Both Gauguin and Crooke shared the experience of Island life. Crooke captures the 'essence of Island life, a place where the pattern of life is simple... where there is an innocence of the complexity of life.'

Ray Crooke is represented in the National Gallery of Australia, all state galleries many regional galleries as well as many other public collections throughout Australia and overseas. He was won numerous coveted awards including 1969 Archibald Prize for his portrait of journalist and novelist George Johnston.

Reference: Island Journal Ray Crooke, Introduction by Peter Denham, Bede Publishing, Australia, p.8.

Visit our website to view other works by Ray Crooke


Eubena Nampitjin (born c.1921)

Eubena Nampitjin (born c.1921)
Kunawarritjilc
Acrylic on linen
100 x 100cm
Warlayirti Artists #860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
no.8597a

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.

Visit our website to view other works by contemporary Aboriginal artists

Graphics: New in the gallery

Anne Smith

Anne Smith
Odalisque I
Etching 14/50
19.5 x 24cm (image)
38 x 57cm (paper)
no.10865

Visit our website to view other graphics by Anne Smith


Wendy Sharpe (b.1960)

Wendy Sharpe (b.1960)
Paris, the Metro
Etching 22/40
22.5 x 29.5cm (image)
3x x 57cm (page)
Editioned L.L., titled L.C., signed 'W. Sharpe' L.R.
no.10870

Visit our website to view other graphics by Wendy Sharpe

Eva Breuer Art Dealer Podcasts

In 2009 the gallery has introduced podcasts (online videos) which appear on the website in conjunction with each exhibition. In addition to exhibitions, the podcasts will also cover the important Australian artists in which the gallery specialises, including Sidney Nolan (below). The podcasts include two minutes of commentary by gallery staff, an interview with each artist and images of the paintings available.

How to Use Podcasts

1. Download Apple Quicktime player if is not already installed on your computer. Click here to download the free software.
2. Install Apple Quicktime player.
3. Once installed, visit the Podcast page by clicking here.
4. Click on the image of the podcast you would like to watch and the movie will begin to play.
5. Please ensure your volume is turned on so that the sound is audible.

Sample Podcast (Click the image to visit the podcast page)

Current Exhibition

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition


Upcoming Exhibitions

September
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch

November
Gallery 1: Summer Exhibition
Gallery 2: Doreen Gadsby

Please send us an email if you wish to be added to the weekly newsletter list.