Showing posts with label Eubena Nampitjin. Show all posts
Showing posts with label Eubena Nampitjin. Show all posts

Wednesday, September 23, 2009

Gallery News 23 September 2009: Elisabeth Kruger, Sidney Nolan, John Coburn

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


New in the gallery

Elisabeth Kruger (b.1955)

Elisabeth Kruger (b.1955)
Climber 2007
oil on linen
153 x 122cm
no.10891


Visit our website to view other works by Elisabeth Kruger


Elisabeth Kruger (b.1955)
Four rose buds 2007
oil on linen
92 x 122cm
no.10883


Visit our website to view other works by Elisabeth Kruger

Elisabeth Kruger (b.1955)
Cirque 2008
oil on linen
122.5 x 153cm
no.10884


Visit our website to view other works by Elisabeth Kruger

Elisabeth Kruger (b.1955)
Spill 2007
oil on linen
122 x 122cm
no.10885


Visit our website to view other works by Elisabeth Kruger


Stephen Nothling (b.1962)

Stephen Nothling (b.1962)
Cover of darkness 2 2009
oil on canvas
160 x 190cm
no.10879


Visit our website to view other works by Stephen Nothling

Stephen Nothling (b.1962)
In the moonlight 2009
oil on canvas
107 x 70cm
no.10881


Visit our website to view other works by Stephen Nothling




Important Australian paintings

Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
Untitled (Gallipoli Series) 1960
Ripolin enamel on paper
30.3 x 25.3cm
Signed lower left: Nolan
verso: Oct 20th 1960 / Nolan
no.95999


Provenance: The artist, Private collection Sydney

Nolan's Gallipoli series is the subject of the major exhibition Sidney Nolan: The Gallipoli Series, currently at the Australian War Memorial.

Nolan donated works from this series to the War Memorial in 1978 in honour of his brother who died in an accident before the end of the Second World War.



John Coburn (1925-2006)

John Coburn (1925-2006)
Plants in Moonlight 1972
Oil on canvas
106 x 113cm
Signed 'Coburn' lower right
no.8229

The Garden is an important motif in Coburn’s body of work. There are obvious connotations to the Garden of Eden but of significance are his childhood memories of northern Queensland and the tropical rainforests with their deluge of lush colours.1 As Nadine Amadio explains, “the memory of youth among rich tropical plant growth, of rainforests and tropical jungles, has remained with him as an essential and evocative part of his symbolic language … Sometimes when his foliage and plant shapes have the exotic and overgrown mystery reminiscent of Henri Rousseau, it seems glowingly evident that he is haunted by the world of his earliest childhood.3” In 1953 an exhibition of contemporary French painting by Matisse, Picasso, Leger, Mannessiere de Stael and others was hung at the Art Gallery of New South Wales. French Painting Today made Coburn feel for the first time that here was an art that was relevant to him. Coburn recalled in an interview with Lou Klepac that it was at this point that the Garden became an important subject in his work. He recalled seeing a garden shortly after viewing the exhibition – “I went home that night and did a painting of it. It was an abstract painting, but it was all about that garden and that was my first success as a painter.”2

1 Rozen, A., The Art of John Coburn, Ure Smith, Sydney, 1979, p.8.
2 John Coburn quoted in, Klepac, L., John Coburn: The Spirit of Colour, The Beagle Press, Roseville, 2003.
3 Amadio, N., John Coburn: Paintings, Craftsman House, Roseville, 1988, p.7.



Geoffrey Proud (b. 1946)

Geoffrey Proud (b. 1946)
Sunday Morning 2007
oil on canvas
59.5 x 90 cm
signed lower right
no.9715

Often quirky and verging on the surreal, Geoffrey Proud's paintings in oil and pastel are like fractured fairytales. Depicting a world of innocence with a sometimes ominous edge, Proud's paintings are fantastic and bizarre. His choice of subjects is broad, including children and childhood narratives, flowers, still lifes and nudes. Alternating between expressionist impasto brushwork and sensitive detail, he experiments freely with vibrant colour and varying textures. The highly glazed surfaces of his recent oils give his scenes an ethereal and otherworldly quality. Proud has won numerous awards including the Sulman Prize in 1976 for a painting on perspex, and the Archibald prize in 1990 for his portrait of writer Dorothy Hewett. He has exhibited consistently in all state capitals since 1966 and is represented in the National Gallery of Australia, Canberra; many State and regional gallery collections; Parliament House collections in Canberra and Sydney; Artbank; IBM collection; and the Elton John collection, London.



Brian Dunlop (b.1938)

Brian Dunlop (b.1938)
Towards Plato 1
Gouache on paper
33 x 48cm
no.9547

Brian Dunlop is one of Australia's foremost representational painters. He is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as numerous other public collections throughout Australia and overseas. He has won numerous coveted awards including the 1981 Sulman Prize. Dunlop's Large Lagoon 2009 was a finalist in this year's Tattersall's Club Landscape Art Prize. The above painting is the pair to a similar work which has recently been acquired by the Art Gallery of New South Wales.





Current Exhibition
Closes tomorrow


Tony Irving (b.1939)
Other places, other views


Tony Irving (b.1939)
Siesta in Constantina 2009
oil on linen
118 x 151cm
no.10416


Visit our website to view other works by Tony Irving




Upcoming Exhibition

Judy Cassab (b.1920) & John Seed (b.1945)
The Two of Us


Opening Wednesday 30 September 6-8pm
by the Hon. Justice Michael Kirby AC CMG

Judy Cassab (b.1920)
Red Still Life 2008
Oil on canvas
60 x 44.5 cm
signed 'Cassab 08' lower right
no.10666


Visit our website to view other works by Judy Cassab


John Seed (b.1945)
Into The Wind
Galvanised painted steel
30 x 25 x 35cm


Visit our website to view other works by John Seed




Sale Section

Ray Crooke (b.1922)

Ray Crooke (b.1922)
Greetings 2007
oil on canvas on board
59 x 49cm
Signed: 'R Crooke' lower left
Provenance:
Phillip Bacon Gallery Brisbane
Private collection Sydney
no.10537

Crooke's broad-leafed tropical vistas in vivid colours and contrasted areas of light and dark, often likened to Gauguin, are among the most important in Australian landscape painting. Both Gauguin and Crooke shared the experience of Island life. Crooke captures the 'essence of Island life, a place where the pattern of life is simple... where there is an innocence of the complexity of life.'

Ray Crooke is represented in the National Gallery of Australia, all state galleries many regional galleries as well as many other public collections throughout Australia and overseas. He was won numerous coveted awards including 1969 Archibald Prize for his portrait of journalist and novelist George Johnston.

Reference: Island Journal Ray Crooke, Introduction by Peter Denham, Bede Publishing, Australia, p.8.

Eubena Nampitjin (born c.1921)
Kunawarritjilc
Acrylic on linen
100 x 100cm
Warlayirti Artists #860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
no.8597a

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.





Graphics: New in the gallery

Anne Smith

Anne Smith
Odalisque I
Etching 14/50
19.5 x 24cm (image)
38 x 57cm (paper)
no.10865


Visit our website to view other graphics by Anne Smith


Wendy Sharpe (b.1960)

Wendy Sharpe (b.1960)
Paris, the Metro
Etching 22/40
22.5 x 29.5cm (image)
3x x 57cm (page)
Editioned L.L., titled L.C., signed 'W. Sharpe' L.R.
no.10870


Visit our website to view other graphics by Wendy Sharpe




Eva Breuer Art Dealer Podcasts

In 2009 the gallery has introduced podcasts (online videos) which appear on the website in conjunction with each exhibition. In addition to exhibitions, the podcasts will also cover the important Australian artists in which the gallery specialises, including Sidney Nolan (below). The podcasts include two minutes of commentary by gallery staff, an interview with each artist and images of the paintings available.

How to Use Podcasts

1. Download Apple Quicktime player if is not already installed on your computer. Click here to download the free software.
2. Install Apple Quicktime player.
3. Once installed, visit the Podcast page by clicking here.
4. Click on the image of the podcast you would like to watch and the movie will begin to play.
5. Please ensure your volume is turned on so that the sound is audible.

Sample Podcast (Click the image to visit the podcast page)


Current Exhibition

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition


Upcoming Exhibitions

September
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch

November
Gallery 1: Summer Exhibition
Gallery 2: Doreen Gadsby

Please send us an email if you wish to be added to the weekly newsletter list.

Wednesday, September 2, 2009

Gallery News 2 September: James Gleeson, Sali Herman, Tony Irving


83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


Important Australian Paintings

James Gleeson (1915-2008)

James Gleeson (1915-2008)
The Monuments 1990
oil on linen
155.7 x 241cm
no.2355

Provenenance: The artist


Visit our website to view other works by James Gleeson


James Gleeson (1915-2008)
Study for The Monuments 1989
Charcoal and collage on paper
30.5 x 46 cm
Signed and dated 'Gleeson 12.9.89' L.L.
Inscribed 'Study for The Monuments' verso
Provenance: David Jones Art Gallery, Sydney
Exhibited: 'James Gleeson" Works on Paper' David Jones Art
Gallery, Sydney 25 Oct - 15 Nov 1990, no. 35
no.10792
To be included with the purchase of The Monuments 1990


James Gleeson's passing in 2008 marked the end of one of the greatest careers in Australian Art. Gleeson leaves behind one of the most important bodies of work ever produced by an Austraian artist. His devotion to, and mastery of Surrealism spanning the 1930's to the late 1990's remains an important record of not only his work but that of the Surrealist genre. Gleeson played a significant role in the Australian art world, not only as a painter and poet, but as a critic, writer and curator. Gleeson combined a great intelligence with skillful draughtsmanship and great facility in handling paint. Delving into the subconscious, Gleeson used literary, mythological or religious subject matter to allow the viewer glimpses of extraordinary beauty. The Monuments 1990 is a large work from the late period which convey a sumptuous monumentality.

Gleeson is represented in the National Gallery of Australia, all state galleries, most regional galleries, university collections, Artbank, and many corporate and private collections.

Visit our website to view other works by James Gleeson


Sali Herman (1898-1993)

Sali Herman (1898-1993)
Norfolk Island Scene 1970
Oil on masonite
45 x 55cm
Signed 'S Herman 70' lower right
Provenance: Private collection Sydney, Directly from artist in 1975
no.10789


Visit our website to view other works by Sali Herman


Ray Crooke (b. 1922)

Ray Crooke (b. 1922)
Greetings 2007
oil on canvas on board
59 x 49 cm
Signed: 'R Crooke' lower left
Provenance: Private collection Sydney
no.10537


Visit our website to view other works by Ray Crooke


Eubena Nampitjin (b. c.1921)

Eubena Nampitjin (born c.1921)
Kunawarritjic 2004
Acrylic on linen
100 x 100cm
Warlayirti Artists # 860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
Provenance: Warlayirti Artists
Eva Breuer Art Dealer
Private collection Sydney
no. 8597a


Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Visit our website to view other contemporary aboriginal paintings


David Boyd (b.1924)

David Boyd (b.1924)
Untitled (woman under a tree)
Oil on board
49.5 x 59cm
no.10365


Visit our website to view other works by David Boyd


David Boyd (b.1924)
Boy Chasing White Cockatoo
Oil on canvas
59 x 69cm
signed 'David Boyd' Lower left
no.10368


Visit our website to view other works by David Boyd


Zhong Chen (b.1969)

Zhong Chen (b.1969)
Beijing Girl 6 2009
Oil on linen
132 x 132 cm
no.10665


Visit our website to view other works by Zhong Chen




Upcoming Exhibition

Tony Irving (b.1939)
Other places, other views
Opening Saturday 12 September 3-5pm


Tony Irving (b.1939)
Promise of things to come
oil on linen
51 x 112cm
no.10802


Visit our website to view other works by Tony Irving


Tony Irving (b.1939)
Roman Spring
gouache on arches paper
45 x 63cm
no.10800


Visit our website to view other works by Tony Irving


Geoffrey Proud (b. 1946)

Geoffrey Proud (b. 1946)
Madrigal
pastel on paper
67 x 47cm
signed 'Proud' lower right
no.10167


Visit our website to view other pastels by Geoffrey Proud



Geoffrey Proud (b. 1946)
Steam Shovel Love
pastel on paper
61 x 76cm
signed 'Proud' lower right
no.10165


Visit our website to view other pastels by Geoffrey Proud




Featured Graphic

John Olsen (b.1928)

John Olsen (b.1928)
Papegeno
Etching 42/60
60 x 44cm
Commissioned by the Australian Opera for its
Australian Opera's 40th Anniversary Print Portfolio
(to be sold individually)
no.7734


Visit our website to view other graphics by John Olsen




Current Exhibition

August
Gallery 1: Victor Rubin
Gallery 2: Winter Exhibition



Upcoming Exhibitions

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch


Please send us an email if you wish to be added to the weekly newsletter list.

Wednesday, August 26, 2009

GALLERY NEWS 26 August: Anna Platten, Sidney Nolan, James Gleeson


83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


New in the gallery

Anna Platten (b.1957)

Anna Platten (b.1957)
The Crossing 2009
Oil on linen
186 x 130cm
no.10788


Exhibited: Ann and Gordon Samstag Museum of Art,
Colliding Worlds, 15 May – 24 July 2009

Visit our website to view other works by Anna Platten


Anna Platten (b.1957)
Head and House 2007
charcoal on paper
125 x 100cm
no.10769


Exhibited: Finalist in the Kedumba drawing prize 2007

Visit our website to view other works by Anna Platten




Important Australian paintings


Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
Eyes (Tent Series) c.1940
Ripolin enamel on board
45 x 57.5 cm
no.7828

Provenance:
The Estate of Sir Sidney Nolan
Private collection Geneva

Exhibited:
Sidney Nolan, Joseph Brown Gallery, Melbourne,
25 July - 7 August, 1979, no.16.

Literature:
Sidney Nolan, Joseph Brown Gallery, Melbourne,
25 July - 7 August, 1979 (illustrated, plate 16).


Nolan began painting his tent series in the late 1930s, in a series of small paintings and drawings related closely to the poetry of William Blake. After seeing this work, choreographer Serge Lifar commissioned Nolan to design the sets and costumes for the Ballet Russes production of Icare in Melbourne in 1940. Drawing inspiration from artists such as Miro, Picasso and Klee, these early ‘abstract’ works symbolise a type of captivity,1 reflected in Nolan’s depiction of Icarus’ escape from the tent-like structures. The abstracted forms in this early tent painting, reflect the grids and curves both of his designs for Icare and also the later Luna Park paintings. As Nicholas Usherwood explains, “the repeated use of the tent image makes this one of the first such consciously developed series in what was to become a consistent method of developing his work through the rest of his life”.2
AL

1 Clark J., Sidney Nolan: Landscapes and Legends, ICCA, Sydney, 1987, p.35.
2 Usherwood N., Nolan’s Nolans: A Reputation Reassessed, Agnew’s, London, 1997, p.4
.

Visit our website to view other works by Sir Sidney Nolan


John Coburn (1925-2006)

John Coburn (1925-2006)
The Performance 1978
oil on canvas
122 x 153.5 cm
signed 'Coburn' lower right
Signed, titled, and dated Sydney 1978 on reverse
Provenance: Corporate Collection, Sydney
no.10497


Referring to the related work, The Performance 1980, Nadine Amadio explains that as yet "Coburn had not yet actually designed for the theatre [he would later design sets for, among other companies, the Western Australian Ballet], but this joyous work, full of clownish smiles and juggling shapes has the fun and glitter of the circus. There is a real humour and playfulness in this work some what reminiscent of Joan Miro in its feeling of nature at play." The Performance 1987 shows Coburn's innate ability to orchestrate his works in a way that brings an extraordinary vitality to his paintings."

Reference: Nadine Amadio, John Coburn, Paintings 1988, Craftsman House, p.104.

Visit our website to view other works by John Coburn


James Gleeson (1915-2008)

James Gleeson (1915-2008)
The Fall of Day 1989
oil on linen
172 x 230cm
Provenance: The artist
no.2356


Visit our website to view other works by James Gleeson


Kevin Charles (Pro) Hart (1928-2006)

Kevin Charles (Pro) Hart (1928-2006)
Death on the track
Oil on masonite
85 x 112cm
Provenance: Private collection Canberra
no.10372


Visit our website to view other works by Pro Hart


Brian Dunlop (b.1938)

Brian Dunlop (b.1938)
Orpheus' Chair 2009
oil on linen
75 x 101cm
Signed 'Dunlop' lower left
Provenance: The artist
no.10316


Visit our website to view other works by Brian Dunlop


David Boyd (b.1924)

David Boyd (b.1924)
Europa above the East Coast 1996
Oil on board
100 x 90cm
Signed 'David Boyd 1996' lower left
Provenance: The artist
no.0757


Visit our website to view other works by David Boyd


Arthur Boyd (1920-1999)

Arthur Boyd (1920-1999)
Portrait of Alannah Coleman III 1971
Oil on canvas
76 x 63 cm
Signed 'Arthur Boyd' lower centre
Provenance: Private colleciton
no.3168

Arthur Boyd’s paintings of art world personalities such as this portrait of the art dealer Alannah Coleman, are masterfully executed expressions of the sitter. Boyd translates the nuances of his subject in vigorous strokes of yellow, blue and red, which animate the painterly surface.

Visit our website to view other works by Arthur Boyd




Current exhibition

Victor Rubin

The small masonite paintings
from Raine Street
Bondi Junction 1974-1976

Victor Rubin (b.1950)
Still Life I, 1975
oil on masonite
15.2 x 20.3 cm
Signed and dated lower right 'Jan 75 VR'
Provenance: The artist
no.10724


Visit our website to view other works by Victor Rubin


Victor Rubin (b.1950)
Young Man Shaving
oil and paint brush on masonite
30.6 x 40.5 cm
Signed and dated centre right 'Rubin 1974'
Provenance: The artist
no.10721


Visit our website to view other works by Victor Rubin




Contemporary Australian paintings

Stephen Nothling (b.1962)

Stephen Nothling (b.1962)
The Cover of Darkness #1 2009
oil on canvas
160 x 150cm
Provenance: The artist
no.10709


Visit our website to view other works by Stephen Nothling


Eubena Nampitjin (b. c.1921)

Eubena Nampitjin (born c.1921)
Kunawarritjic 2004
Acrylic on linen
100 x 100cm
Warlayirti Artists # 860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
Provenance: Warlayirti Artists
Eva Breuer Art Dealer
Private collection Sydney
no. 8597a


Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Visit our website to view other contemporary aboriginal paintings


Eubena Nampitjin (b. c.1921)

Elizabeth Nyumi Nungurrayi (b.1947)
Untitled 2003
Acrylic on canvas
120 x 80cm
Balgo Arts Centre reference no: 104/03
Provenance: Balgo Arts Centre (Warlayirti Artists) WA
Private collection, Sydney
Provenance: Warlayirti Artists
Private collection Sydney
no.10067


Visit our website to view other contemporary aboriginal paintings




Featured Graphic

Fred Williams (1927 - 1982)

Fred Williams (1927 -1982)
The Haircut 1955
Intaglio Etching 15/17
Technique: etching, aquatint, drypoint, foul biting, printed in black ink,
from one zinc plate; pen and ink
23 x 13cm (plate size)
Provenance: Private collection
no.6809


Visit our website to view other graphics by Fred Williams


Current Exhibition

August
Gallery 1: Victor Rubin
Gallery 2: Winter Exhibition



Upcoming Exhibitions

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch


Please send us an email if you wish to be added to the weekly newsletter list.
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