Saturday, August 29, 2009

Artist Spotlight: Don Rankin

This week Eva Breuer Art Dealer is proud to spotlight still life painter Don Rankin. His 2009 exhibition, Dead Calm, is a beautiful collection of works that are further illuminated by the interview below.

Who (or what) do you consider your artistic inspiration?

My main inspiration is the whole history of painting. I am always educating myself on this legacy by constantly reading, looking and learning. I feel sorry for those contemporary artists who dismiss anything done before 1950 as irrelevant to modern artistic practice – they miss so much as a consequence. Art is enriched immeasurably by what has come before but you have to be receptive to it and open-minded. If I were to single out particular artists who have inspired me it would be Chardin and Morandi, but there are of course many others.

Do you listen to music while you work, and if so, what is most often playing?

I prefer total silence when painting. I have wide musical interests but enjoy piano pieces by Chopin, Debussy and Satie the most.



Who of your peers do you respect the most?

The artists who are not influenced by current trends and styles but instead persevere along their chosen paths: ie. the mavericks. Interestingly, these artists are often well-informed about art history.

Do you have any habits/rituals or strange superstitions when painting?


Painting needs the personal discipline to get in the studio and work no matter whether things are going well or not. I only paint under natural light so on dull days I make frames or stretch canvases. I don’t allow anyone to observe while I am painting – painting is a solitary activity and the daily struggle with the rectangle can only be shared and evaluated at a later time.


When did you decide to become an artist?

I have painted since I was a teenager at school, then through university and later when working as a teacher. I only became a full-time artist in 2004 but had a long established exhibition history before then.


Do you have a favourite painting or work of art? If so, what is it?

Almost any painting by Giorgio Morandi made between 1950 and 1963 (when he died). Also a group of small, late still-lives by Chardin in the Louvre, Paris. Then there are the Bonnards in the AGNSW, the Bellini’s in the Accademia in Venice, … I could on for a long time, there is so much superb art to be seen all over the world.

Press: Victor Rubin - Sydney Morning Herald

Wednesday, August 26, 2009

GALLERY NEWS 26 August: Anna Platten, Sidney Nolan, James Gleeson


83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


New in the gallery

Anna Platten (b.1957)

Anna Platten (b.1957)
The Crossing 2009
Oil on linen
186 x 130cm
no.10788


Exhibited: Ann and Gordon Samstag Museum of Art,
Colliding Worlds, 15 May – 24 July 2009

Visit our website to view other works by Anna Platten


Anna Platten (b.1957)
Head and House 2007
charcoal on paper
125 x 100cm
no.10769


Exhibited: Finalist in the Kedumba drawing prize 2007

Visit our website to view other works by Anna Platten




Important Australian paintings


Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
Eyes (Tent Series) c.1940
Ripolin enamel on board
45 x 57.5 cm
no.7828

Provenance:
The Estate of Sir Sidney Nolan
Private collection Geneva

Exhibited:
Sidney Nolan, Joseph Brown Gallery, Melbourne,
25 July - 7 August, 1979, no.16.

Literature:
Sidney Nolan, Joseph Brown Gallery, Melbourne,
25 July - 7 August, 1979 (illustrated, plate 16).


Nolan began painting his tent series in the late 1930s, in a series of small paintings and drawings related closely to the poetry of William Blake. After seeing this work, choreographer Serge Lifar commissioned Nolan to design the sets and costumes for the Ballet Russes production of Icare in Melbourne in 1940. Drawing inspiration from artists such as Miro, Picasso and Klee, these early ‘abstract’ works symbolise a type of captivity,1 reflected in Nolan’s depiction of Icarus’ escape from the tent-like structures. The abstracted forms in this early tent painting, reflect the grids and curves both of his designs for Icare and also the later Luna Park paintings. As Nicholas Usherwood explains, “the repeated use of the tent image makes this one of the first such consciously developed series in what was to become a consistent method of developing his work through the rest of his life”.2
AL

1 Clark J., Sidney Nolan: Landscapes and Legends, ICCA, Sydney, 1987, p.35.
2 Usherwood N., Nolan’s Nolans: A Reputation Reassessed, Agnew’s, London, 1997, p.4
.

Visit our website to view other works by Sir Sidney Nolan


John Coburn (1925-2006)

John Coburn (1925-2006)
The Performance 1978
oil on canvas
122 x 153.5 cm
signed 'Coburn' lower right
Signed, titled, and dated Sydney 1978 on reverse
Provenance: Corporate Collection, Sydney
no.10497


Referring to the related work, The Performance 1980, Nadine Amadio explains that as yet "Coburn had not yet actually designed for the theatre [he would later design sets for, among other companies, the Western Australian Ballet], but this joyous work, full of clownish smiles and juggling shapes has the fun and glitter of the circus. There is a real humour and playfulness in this work some what reminiscent of Joan Miro in its feeling of nature at play." The Performance 1987 shows Coburn's innate ability to orchestrate his works in a way that brings an extraordinary vitality to his paintings."

Reference: Nadine Amadio, John Coburn, Paintings 1988, Craftsman House, p.104.

Visit our website to view other works by John Coburn


James Gleeson (1915-2008)

James Gleeson (1915-2008)
The Fall of Day 1989
oil on linen
172 x 230cm
Provenance: The artist
no.2356


Visit our website to view other works by James Gleeson


Kevin Charles (Pro) Hart (1928-2006)

Kevin Charles (Pro) Hart (1928-2006)
Death on the track
Oil on masonite
85 x 112cm
Provenance: Private collection Canberra
no.10372


Visit our website to view other works by Pro Hart


Brian Dunlop (b.1938)

Brian Dunlop (b.1938)
Orpheus' Chair 2009
oil on linen
75 x 101cm
Signed 'Dunlop' lower left
Provenance: The artist
no.10316


Visit our website to view other works by Brian Dunlop


David Boyd (b.1924)

David Boyd (b.1924)
Europa above the East Coast 1996
Oil on board
100 x 90cm
Signed 'David Boyd 1996' lower left
Provenance: The artist
no.0757


Visit our website to view other works by David Boyd


Arthur Boyd (1920-1999)

Arthur Boyd (1920-1999)
Portrait of Alannah Coleman III 1971
Oil on canvas
76 x 63 cm
Signed 'Arthur Boyd' lower centre
Provenance: Private colleciton
no.3168

Arthur Boyd’s paintings of art world personalities such as this portrait of the art dealer Alannah Coleman, are masterfully executed expressions of the sitter. Boyd translates the nuances of his subject in vigorous strokes of yellow, blue and red, which animate the painterly surface.

Visit our website to view other works by Arthur Boyd




Current exhibition

Victor Rubin

The small masonite paintings
from Raine Street
Bondi Junction 1974-1976

Victor Rubin (b.1950)
Still Life I, 1975
oil on masonite
15.2 x 20.3 cm
Signed and dated lower right 'Jan 75 VR'
Provenance: The artist
no.10724


Visit our website to view other works by Victor Rubin


Victor Rubin (b.1950)
Young Man Shaving
oil and paint brush on masonite
30.6 x 40.5 cm
Signed and dated centre right 'Rubin 1974'
Provenance: The artist
no.10721


Visit our website to view other works by Victor Rubin




Contemporary Australian paintings

Stephen Nothling (b.1962)

Stephen Nothling (b.1962)
The Cover of Darkness #1 2009
oil on canvas
160 x 150cm
Provenance: The artist
no.10709


Visit our website to view other works by Stephen Nothling


Eubena Nampitjin (b. c.1921)

Eubena Nampitjin (born c.1921)
Kunawarritjic 2004
Acrylic on linen
100 x 100cm
Warlayirti Artists # 860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
Provenance: Warlayirti Artists
Eva Breuer Art Dealer
Private collection Sydney
no. 8597a


Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Visit our website to view other contemporary aboriginal paintings


Eubena Nampitjin (b. c.1921)

Elizabeth Nyumi Nungurrayi (b.1947)
Untitled 2003
Acrylic on canvas
120 x 80cm
Balgo Arts Centre reference no: 104/03
Provenance: Balgo Arts Centre (Warlayirti Artists) WA
Private collection, Sydney
Provenance: Warlayirti Artists
Private collection Sydney
no.10067


Visit our website to view other contemporary aboriginal paintings




Featured Graphic

Fred Williams (1927 - 1982)

Fred Williams (1927 -1982)
The Haircut 1955
Intaglio Etching 15/17
Technique: etching, aquatint, drypoint, foul biting, printed in black ink,
from one zinc plate; pen and ink
23 x 13cm (plate size)
Provenance: Private collection
no.6809


Visit our website to view other graphics by Fred Williams


Current Exhibition

August
Gallery 1: Victor Rubin
Gallery 2: Winter Exhibition



Upcoming Exhibitions

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch


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