GALLERY NEWS 10 March 2010: Garry Shead, Arthur Boyd, Zhong Chen

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


New in the Gallery

Garry Shead (b.1942)

Garry Shead (b.1942)
Wye Wurk 1994
Oil on board
90 x 120cm
Signed 'Garry Shead 94' lower left
Provenance:
Private collection, Queensland
Schubert Gallery, Gold Coast
no.11266

Visit our website to view other paintings by Garry Shead


Arthur Boyd (1920-1999)

Arthur Boyd (1920-1999)
Pulpit Rock, Bathers and Muzzled Dog c.1987
Oil on canvas
152.3 x 123cm
Signed 'Arthur Boyd' lower right
no.9184

Illustrated: Exhibition Catalogue, Arthur Boyd, Australian Embassy, Washington DC, 1986
Exhibited: Arthur Boyd, Australian Embassy, Washington DC, 30 May – 21 June 1986.

Born into a lineage of gifted painters, potters, musicians and architects, Arthur Boyd became the most celebrated member, in Australia’s cultural history, of that revered artistic family. Arthur Boyd is represented in the National Gallery of Australia, all state galleries, many regional galleries and many other important public collections both in Australia and overseas.

The Shoalhaven River is one of the most important subjects in Arthur Boyd’s remarkable body of work. The Boyd’s purchased the first of two properties, Riversdale, in 1973 and the second, Bundanon in 1979. Pulpit Rock, Bathers and Muzzled Dog c.1987 assaults the viewer with a vivid depiction of nature vs man-made hedonism. A dramatic painting with much wall power, it is concerned with the destruction of beauty, peace and tranquility in the natural environment through ignorant and pleasure seeking pastimes such as water skiing. This is clearly evident in the violent juxtaposition of a muzzled dog chasing a helmet wearing human figure (which appears to morph into an animalistic symbol of speed and greed) against a serene seemingly untouched escarpment of natural landscape. (Janet McKenzie, Arthur Boyd: Art and Life, pp.186-189)

Visit our website to view other paintings by Arthur Boyd


Zhong Chen (b.1969)

Arriving in the gallery soon

Zhong Chen (b.1969)
Rainy Day 6
Oil on linen
90 x 122 cm

Visit our website to view paintings by Zhong Chen


Ray Crooke (b.1922)

Ray Crooke (b.1922)
Mother and Child c.1985
oil on canvas
60 x 50cm
Provenance: Private collection, Sydney
no.11274

Visit our website to view paintings by Ray Crooke


Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
New Guinea Series 1968
ripolin and mixed media on paper
52 x 79cm (sight size)
Signed: 'Nolan' lower right
Provenance: Savill Gallery, Sydney. (Label attached verso)
The Everad Read Gallery, Johannesburg. (Label attached verso)
Private collection, Sydney
no. 11272

Visit our website to view works on paper by Sir Sidney Nolan


Sir Sidney Nolan (1917-1992)
Central Australia 1967
ripolin on paper
52 x 76cm (sight size)
Signed: 'Nolan 1967' lower right
Provenance: Private collection, Sydney
no. 11273

Visit our website to view works on paper by Sir Sidney Nolan


James Gleeson (1915-2008)

James Gleeson (1915-2008)
Figure in Psychoscape c.1965
oil on board
14.5 x 11 cm
Signed 'Gleeson' lower right
Provenance: Private collection, Sydney
no.11271

Visit our website to view paintings by James Gleeson


Adriane Strampp (b.1960)

Arriving soon in the gallery

Adriane Strampp (b.1960)
Untitled 2004
Oil on canvas
150 x 350 cm (total - 3 panels)
Provenance: Private Collection Sydney
Eva Breuer Art Dealer, 2004
no.6648a

Visit our website to view other paintings by Adriane Strampp




Current Exhibition

Wayne Eager (b.1957)
New Paintings 2010

Wayne Eager (b.1957)
Green Grass 2010
acrylic on linen
120 x 65 cm
no.11232

Visit our website to view other paintings by Wayne Eager




Upcoming Exhibition

Food & Art
On view from 26th March 2010

David Boyd (b.1924)

David Boyd (b.1924)
Two Children with apple and orange 1999
Oil on board
16.5 x 19cm
no.3740

Visit our website to view other paintings from Food & Art


Children in Art
On view from 6th April 2010

Brett Whiteley (1939-1992)

Brett Whiteley (1939-1992)
Mother and Child 1977
Etching 32/60
60.5 x 45cm (plate size)
75.5 x 53cm (sheet size)
Edition of 60, with 8-10 APs
Printer: Max Miller, Sydney
Publisher: Port Jackson Press, Sydney
Exhibited: 'Recent Paintings and Drawings', Fischer Fine Art Limited, London, September 1977, cat. 74
no.7059

Note: The mother in this etching is the artist's sister Fran, with her baby (Source: Brett Whiteley: The Graphics 1961-1992, Deutscher Art Pty Ltd, Melbourne, 1995)

Visit our website to view other paintings from Children in Art


Pam Sackville (b.1944)
New Paintings 2010

Opening Saturday 17 April 2010, 3-5PM

Paintings available to view now

Pam Sackville (b.1944)
Pears in a Napoleon Dish 2008
Watercolour on arches paper
75 x 105cm
no.9647

Visit our website to view other paintings by Pam Sackville




Featured Graphics

John Coburn (1925-2006)

John Coburn (1925-2006)
Cosi fan Tutti 1990
Screen Print (13 colours)
Edition A/P on BFK Rives
artist's proof: 10
60 x 50cm (image)
76 x 56.5cm (sheet)
signed, dated LR, inscribed with title LC and with edition LL
printed by Michael Phelps, Sydney
commissioned by Opera Australia on the theme of one of
the operas performed in that season. Due to timing his
print was not part of a set of 5 prints by other artists, also on
opera themes, commissioned around the same time.
no.11222

Visit our website to view graphics by John Coburn


David Wadelton

David Wadelton
Still Life - Hand and Foot
Lithograph 42/60
64 x 45.5cm
Commissioned by the Australian Opera for its
Australian Opera's 40th Anniversary Print Portfolio
(to be sold individually)
no.7735

Visit our website to view graphics by Important Australian Artists




Current Exhibition

March
Gallery 1: Autumn Exhibition
Gallery 2: Wayne Eager

Upcoming Exhibitions

March
Gallery 1: Autumn Exhibition
Gallery 2: Food & Art

April
Gallery 1: Autumn Exhibition
Gallery 2: Children in Art
Gallery 2: Pam Sackville

May
Gallery 1: Autumn Exhibition
Gallery 2: Brian Seidel

Please send us an email if you wish to be added to the weekly newsletter list.

Artwork of the Day - Gleeson - Aubade for a Summer Solstice

James Gleeson (1915-2008)
Aubade for a Summer Solstice 1989
oil on linen
178 x 152cm
Signed ‘Gleeson 89’ lower left
Provenance: The collection of the artist
no.2354

James Gleeson is Australia’s most important surrealist painter and one of Australia’s most esteemed cultural critics. He is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections both in Australia and overseas. In 2004 the National Gallery of Victoria curated a major travelling exhibition of Gleeson’s work entitled James Gleeson: Beyond the Screen of Sight.

He has been the recipient of numerous coveted awards including the 1987 McCaughey Prize.

Aubade for a Summer Solstice 1989 is a monumental painting in which Gleeson’s skill as a painter and his fathomless imagination have combined to create a picture of surreal beauty and mystique.

GALLERY NEWS 29 JANUARY 2010: Sidney Nolan, Leonard French, Brett Whiteley, Roger Kemp

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au


Important Australian Paintings

Sir Sidney Nolan (1917-1992)

Sir Sidney Nolan (1917-1992)
Kelly 1959
Polyvinyl acetate on board
151 x 120.25 cm
signed lower left: N
verso: Feb 23rd 1959 / N
no.8163

Provenance: Private collection New South Wales

Exhibited: Unmasked: Sidney Nolan and Ned Kelly 1950 - 1990, Heide Museum of Modern Art, 11 November 2006- 4 March 2007

Sidney Nolan’s Ned Kelly paintings are among the most important in his oeuvre. Painting the first of his Kelly series in 1946-47 (National Gallery of Australia), Nolan returned to the Kelly figure many times and it is the 1950s Kelly paintings in particular which establish “a new magic and imaginative power.”1 In these later Kelly paintings the ‘naïve’ style of the 1940s Kelly series has been replaced by a more human, emotional intensity. In Kelly 1959 Nolan combines the heroic image of Ned Kelly with the classical image of martyrdom. This work highlights Nolan’s interest in the mythic and uniquely Australian Kelly saga as a story which parallels classical legend. Painted while Nolan was in New York on a Harkness Fellowship, Kelly 1959 is executed in polyvinyl acetate (the medium used for the Leda and Swan series also painted at this time) which Nolan scraped across the board in multiple transparent layers of luminous and varied colour.

1 Clark. J., Sidney Nolan: Landscapes and Legends, ICCA, Sydney, 1987, pp.120-21.

Visit our website to view other paintings by Sir Sidney Nolan


Leonard French (b.1928)

Leonard French (b.1928)
Winter Fountain c.1987-93
enamel and gold leaf on hessian on composition board
122 x 137 cm
Signed: l.r. 'French'
Provenance: Private collection Perth
no.11197

Leonard French's works frequently depict epic stories, such as the Iliad, the Odyssey and events from the Bible. These stories allow him a platform to explore universal themes, most frequently the struggle and spiritual journey of a hero. His highly individual and distinctive works reveal a plethora of influences, from Byzantine mosaics (his symmetry and precision), to Gothic (bright colours outlined in black), Romanesque architecture (squat, solid figures) Cubism and the work of Léger to name but a few. This work, Winter Fountain, exemplifies all these elements. The two figures in the work – one black, one white and both with distinctive rounded heads, first began appearing in French’s work in the late 1980’s. Like many facets of French’s work they appear to be highly symbolic, but with the exact meaning intended by the artist obscured. Other works wit these figures include The Release (in the collection of the Bendigo Art Gallery), Duet and The Tightrope (both in private collections.) Winter Fountain from the Duality series, expresses a deep sense of self and individual mortality. The series which was created during the late eighties explores the human condition as the figure struggles with between light and dark images of self. French's work is represented at the National Gallery of Australia, Canberra, all state galleries, most regional galleries and is also included in many major international collections, including the MoMA, New York. French also completed numerous monumental commissions in Australia, the most famous being the glass ceiling in the Great Hall at the National Gallery of Victoria.

Visit our website to view other important Australian paintings


Brett Whiteley (1939-1992)

Brett Whiteley (1939-1992)
Untitled (Bird) 1978
Oil on board with mixed media
82 x 85.5cm
Signed 'Brett Whiteley 78' lower left
Provenance: Private collection Sydney
no.8781

Brett Whiteley created some of the most important paintings of twentieth century Australian Art. His mastery of, and unique approach to form, colour, light and gesture in a body of work which spans subjects from birds to boulders, have made him one of the icons of not only the Australian art world but also internationally. Brett Whiteley is represented in the National Gallery of Australia, all state galleries, many regional galleries, as well as many important public collections both in Australia and overseas. Three of Brett Whiteley’s most memorable solo exhibitions were devoted to the theme of birds in 1979, 1983 and 1988. “It is not too fanciful to think of Whiteley’s bird paintings as self portraits”, Barry Pearce has commented. “He loved them since childhood and in his last phase of work they became symbols of both domesticity and freedom.” Reference: The Australian Magazine, 26 August, 1995, p.16.

“Pearce has described Whiteley as “Australia’s most sublime painter of birds, “as essential symbols of the song of creation and the joy of life.” Reference: Barry Pearce (1989), Australian Artists, Australian Birds, Angus and Robertson, Sydney, p.144.

Visit our website to view other paintings by Brett Whiteley


Roger Kemp (1908-1987)

Roger Kemp (1908-1987)
Untitled c.1963
Acrylic on masonite
91.5 x 122cm
no.5320

Roger Kemp is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia. Kemp has been the recipient of numerous coveted awards including the 1968 and 1970 Blake Prize. “Kemp’s contribution to the development of abstract painting in Australia is substantial. He has shown how a personal language can be developed from experience with effort and tenacity without recourse to models from abroad.”

Reference: Roger Kemp: Cycle and Directions 1935 –1975, Monash University Department of Visual arts, Exhibition Gallery, Melbourne: The Gallery, 1978 pp.1-2.

Visit our website to view other paintings by Roger Kemp


Kevin Connor (b. 1932)

Kevin Connor (b. 1932)
Movie World People 1993
Oil on linen
71 x 91.5cm
no.6155

Kevin Connor is represented in the National Gallery of Australia, most state galleries, many regional regional galleries as well as many other public collections throughout Australia. He has been the recipient of numerous coveted awards including the 1975 and 1977 Archibald prize, 1991 Sulman Prize and the 1992 and 2005 Dobell Prize. Movie World People 1993 is a bold, painterly work. Connor's brush work is loose and immediate, the paint application heavy, enlivening the painting with a distinct sense of movement.

Visit our website to view other paintings by Kevin Connor


James Gleeson (1915-2008)

James Gleeson (1915-2008)
Untitled (Two Figures in Psychoscape) c.1965
oil on board
19 x 14.5cm
Signed 'Gleeson' lower right
Provenance: Sydney Antique centre
Grafton House Gallery
Private collection Cairns
no.11139

Visit our website to view other paintings by James Gleeson


David Boyd (b.1924)

David Boyd (b.1924)
Three Children by the sea c.1999
Oil on board
26 x 22 cm
Signed: "David Boyd" lower left
Provenance: Private collection Sydney
no.11017

Visit our website to view other paintings by David Boyd




Contemporary Paintings

Elisabeth Kruger (b.1955)

Elisabeth Kruger (b.1955)
Spill 2007
oil on linen
122 x 122cm
no.10885

Visit our website to view other paintings by Elisabeth Kruger


Wayne Eager (b.1957)

Wayne Eager (b.1957)
Fragrance, 2008
acrylic on linen (framed)
152 x 122cm
no.10424

Visit our website to view other paintings by Wayne Eager


Tony Irving (b.1939)

Tony Irving (b.1939)
Beyond the fence 2009
oil on linen
80 x 130cm
no.11146

Visit our website to view other paintings by Tony Irving


Judy Cassab (b. 1920)

Judy Cassab (b. 1920)
Women with Sphinx 2007
Oil on canvas
39.5 x 50 cm
Signed 'Cassab 07' lower right
Provenance: The artist
no.10678

Visit our website to view other paintings by Judy Cassab


Anna Platten (b.1957)

Anna Platten (b.1957)
Head and House 2007
charcoal on paper
125 x 100cm
no.10769

Finalist in the Kedumba drawing prize 2007

Visit our website to view other artworks by Anna Platten


Paul Procee

Paul Procee
My Spineless Cousin 2009
Oil on copper
25 x 20cm
no.11195

Visit our website to view other paintings by Paul Procee


Philippa Blair (b.1945)

Philippa Blair (b.1945)
Knockout 2007
oil on canvas
152.5 x 152.5 cm
no.9863

Visit our website to view other paintings by Philippa Blair


Geoffrey Proud (b. 1946)

Geoffrey Proud (b. 1946)
Cloudy Day, Rain Sprite
pastel on paper
67 x 47cm
signed 'Proud' lower right
no.10161

Visit our website to view other pastels by Geoffrey Proud




Featured Graphic

Arthur Boyd (1920-1999)

Arthur Boyd (1920-1999)
Lovers in a Landscape
Etching A/P
26.5 x 30cm (image)
37.5 x 52.5cm (paper)
signed Arthur Boyd, VI/VI, A/P
no.10436

Visit our website to view other graphics by Arthur Boyd


John Coburn (1925-2006)

John Coburn (1925-2006)
Rare Bird 1987
Screen print A/P (6 colours)
artist' proof: 10
48 x 70cm (image)
54.9 x 74.9cm (sheet)
signed, dated LR, inscribed with title LC and edition LL
printed by Michael Phelps, Sydney
commissioned by the New South Wales State Cancer Council for its Bicentennial Collection: A portfolio of Australian artists (a boxed set with 11 other artists)
no.10386

Visit our website to view other graphics by John Coburn

Current Exhibition

February
Gallery 1 & 2: Summer Exhibition


Upcoming Exhibitions

March
Gallery 1: Autumn Exhibition
Gallery 2: Wayne Eager

April
Gallery 1: Autumn Exhibition
Gallery 2: Pam Sackville

May
Gallery 1: Autumn Exhibition
Gallery 2: Brian Seidel

Please send us an email if you wish to be added to the weekly newsletter list.

Artwork of the Day - Gleeson - Surreal Landscape with Figures

James Gleeson (1915-2008)
Surreal Landscape with Figures c.1943
oil on canvas board
39.6 x 48.6cm
no.2110

James Gleeson was Australia's best known and most important Surrealist. He had been painting and exhibiting consistently from the 1930s until 2008. He played a significant role in the Australian art scene, not only as a painter and poet, but as a critic, writer and curator. Gleeson combined skillful draughtsmanship with a great facility in handling paint. Delving into the subconscious, Gleeson used literary, mythological or religious subject matter to allow the viewer glimpses of extraordinary beauty. Regardless of their scale, the resulting paintings convey a sumptuous monumentality.

Gleeson is represented in the National Gallery of Australia, all state galleries, most regional galleries, university collections, Artbank, and many corporate and private collections.

Staff Picks - Gallery Administrator Ciara Derkenne

Victor Rubin (b.1950)
Physcoreal Head II
acrylic on canvas on board
19 x 23.5cm
no. 11158

Victor Rubin is represented in all major public collections in Australia including the National Gallery of Australia, National Gallery of Victoria, the Art Gallery of New South Wales and the Queensland Art Gallery. His work has been collected by some of the most important private and corporate collections of Australian art including the Patrick White collection and the ICI collection.

Arthur Boyd (1920-1999)
Portrait of Alannah Coleman III c.1971
Oil on canvas
76 x 63 cm
no.3168

Arthur Boyd’s paintings of art world personalities such as this portrait of the art dealer Alannah Coleman, are masterfully executed expressions of the sitter. Boyd translates the nuances of his subject in vigorous strokes of yellow, blue and red, which animate the painterly surface.

Ena Joyce (b.1926)
London Child With Perambulator 1949
Oil on wood
36 x 48.5cm
no.7299

Whilst in London after winning the 1946 NSW Travelling Art Scholarship Ena Joyce painted some of her most highly regarded paintings. London Child with Perambulator 1949 is an evocative work executed with great economy and brisk brush work.

"The small girl stands by the Thames with a mud island behind her. This was at Chiswick Reach, painted several times by Victor Passmore." Ena Joyce

Ena Joyce is represented in the National Gallery of Australia, most state galleries, many regional galleries as well as many other public collections throughout Australia including the Parliament House collection. She has won numerous coveted awards including the 1977 Portia Geach Memorila Prize.

Brenda Humble (b.1933)
Bogan Man 1996
Mild steel 1/4
50 x 18 x 9cm
Signed 'Humble 96', editioned and titled on base
no.9190

Humble's body of jewel-like still life's, abstracted in varying degrees are painterly, boldly colourful and beautifully simple. Her continuing motif; the silhouette of vase and flowers against an open window, is distinct and distilled to essential elements and colour blocks. Her palette is high keyed like Mattisse and in some of the still lives, the flatness and bold outline of shapes is somewhat reminiscent of Picasso. Her sculptures share a similar simplification of form; Humble pares back the image to its most elemental lines, creating crisp linea images of quirky teachers, laughing horses, squinting love hearts and little Alice figures.

Jamie Boyd (b.1948)
Sonata
Lithograph 44/275
74 x 102cm
no.0516

Jamie Boyd continues the tradition of the great Boyd family who have collectively made a profound contribution to Australian art though he has established a firm reputation as a painter in his own right. Jamie currently lives in London though he regularly returns to Australia and visits the Boyd property at Shoalhaven where he is reunited with the surrounding landscape and it’s beauty and strength. His works reflects this broad international sensibility and the enduring influence of the Australian landscape. A proficient painter, he has achieved success through many solo and group exhibitions both in Australia and Europe.

James Gleeson (1915-2008)
The Activist 1976
Mixed media on paper
26.7 x 23.9cm
no.2352

James Gleeson was Australia's best known and most important Surrealist. He had been painting and exhibiting consistently from the 1930s until 2008. He played a significant role in the Australian art scene, not only as a painter and poet, but as a critic, writer and curator. Gleeson combined skillful draughtsmanship with a great facility in handling paint. Delving into the subconscious, Gleeson used literary, mythological or religious subject matter to allow the viewer glimpses of extraordinary beauty. Regardless of their scale, the resulting paintings convey a sumptuous monumentality.

Mark Howson (b.1961)
Untitled (Abstract) 1985
Oil on paper
77 x 52.4cm
no.6564

In 1982 Mark Howson was one of the founding members of Roar Studios. Together with about twenty young artists, among whom included David Larwill, Mark Schaller, Wayne Eager and Mike Nicholls, Howson started an artist run gallery in Fitzroy, Melbourne – the purpose of which was to challenge the art establishment. Characterised by strong, expressionistic figurative works, ironically, the Roar artists quickly became noticed by the mainstream art world. Howson’s work is represented in the Australian National Gallery, Canberra; National Gallery of Victoria; New Parliament House, Canberra; Art Bank; numerous Regional and University collections and private collections in Australia, Europe and the USA.

Zai Kuang (b.1962)
Girl 21, 2008
Oil on canvas
30 x 30cm
no.10047

Most of my paintings are about children, toys and their surroundings. The reason I choose children as my subject is that: simplicity, purity and harmony, they are my attentions during the process of making painting. I think children match the thought perfectly.

I paint children in the interior and exterior. In the interior, I want to explore the relationships between children and toys. The space often dominates the works, there is a tranquil atmosphere around the children, the toys and the room. In the exterior, I look for the relationships between children and the environment, usually the space is more open. - Zai Kuang 2009

Sir Sidney Nolan (1917-1992)
Halycon
oil on canvas on board
30 x 37 cm
signed lower right
no.9720

“This enchanting work dating from Nolan's early career in the Melbourne suburb of St Kilda makes reference, through its title Halcyon, to an ancient Greek myth associated with the kingfisher, depicted here at rest on its floating nest. According to legend the father of the young Halcyon ordered the winds to stay calm during the brooding period so that the floating nest of the kingfisher would not be disturbed. Hence the term "halcyon days".

For Sidney Nolan his early days in St Kilda might indeed be called halcyon. During the mid 1940s the artist painted an extensive body of works recording life around Luna Park and at the St Kilda sea baths, including reminiscences from his childhood. In addition Nolan also painted numerous images relating to the Greek myth of Icarus, transposed into the environs of St Kilda.
Halcyon‚ was a work of particular personal attachment for Nolan, to the extent that he loaned the painting with the Art Gallery of New South Wales for an extended number of years. Nolan was especially attached to his early work as it provided him with immense stimulus for later projects. As Halcyon‚ is depiction of two of his favourite subjects birds and mythology, it is understandable why this painting was so treasured by the artist.”

Text by curator and art writer: Damian Smith

Stan Rapotec (1913-1997)
Untitled, 1960
Oil on board
75 x 100cm
no.5876

Stanislaus Rapotec was one of the leading exponents of Abstract Expressionism in Australia. He is represented in the Australian National Gallery, all state galleries, many regional galleries as well as many other important public collections both in Australia and overseas including the Australian Embassy, Paris, Vatican Gallery of Modern Religious Art, Musée d'Art Moderne, Paris. Rapotec has been the recipient of many awards including the 1961 Blake Prize.

In Untitled 1960 the bold and energetic brushstrokes swirl and explode across the board, masterfully capturing the artists physical and emotional gestures.

Gallery News 2 September: James Gleeson, Sali Herman, Tony Irving

83 Moncur Street Woollahra NSW 2025
tel: 02 9362 0297 fax: 02 9362 0318
email: art@evabreuerartdealer.com.au
website: www.evabreuerartdealer.com.au

Important Australian Paintings

James Gleeson (1915-2008)

James Gleeson (1915-2008)
The Monuments 1990
oil on linen
155.7 x 241cm
no.2355

Provenenance: The artist

Visit our website to view other works by James Gleeson


James Gleeson (1915-2008)
Study for The Monuments 1989
Charcoal and collage on paper
30.5 x 46 cm
Signed and dated 'Gleeson 12.9.89' L.L.
Inscribed 'Study for The Monuments' verso
Provenance: David Jones Art Gallery, Sydney
Exhibited: 'James Gleeson" Works on Paper' David Jones Art
Gallery, Sydney 25 Oct - 15 Nov 1990, no. 35
no.10792
To be included with the purchase of The Monuments 1990

James Gleeson's passing in 2008 marked the end of one of the greatest careers in Australian Art. Gleeson leaves behind one of the most important bodies of work ever produced by an Austraian artist. His devotion to, and mastery of Surrealism spanning the 1930's to the late 1990's remains an important record of not only his work but that of the Surrealist genre. Gleeson played a significant role in the Australian art world, not only as a painter and poet, but as a critic, writer and curator. Gleeson combined a great intelligence with skillful draughtsmanship and great facility in handling paint. Delving into the subconscious, Gleeson used literary, mythological or religious subject matter to allow the viewer glimpses of extraordinary beauty. The Monuments 1990 is a large work from the late period which convey a sumptuous monumentality.

Gleeson is represented in the National Gallery of Australia, all state galleries, most regional galleries, university collections, Artbank, and many corporate and private collections.

Visit our website to view other works by James Gleeson


Sali Herman (1898-1993)

Sali Herman (1898-1993)
Norfolk Island Scene 1970
Oil on masonite
45 x 55cm
Signed 'S Herman 70' lower right
Provenance: Private collection Sydney, Directly from artist in 1975
no.10789

Visit our website to view other works by Sali Herman


Ray Crooke (b. 1922)

Ray Crooke (b. 1922)
Greetings 2007
oil on canvas on board
59 x 49 cm
Signed: 'R Crooke' lower left
Provenance: Private collection Sydney
no.10537

Visit our website to view other works by Ray Crooke


Eubena Nampitjin (b. c.1921)

Eubena Nampitjin (born c.1921)
Kunawarritjic 2004
Acrylic on linen
100 x 100cm
Warlayirti Artists # 860/04
verso: Warlayirti Artists 1000 x 1000
Eubena Nampitjin 860/04
Provenance: Warlayirti Artists
Eva Breuer Art Dealer
Private collection Sydney
no. 8597a

Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.

Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.

Visit our website to view other contemporary aboriginal paintings


David Boyd (b.1924)

David Boyd (b.1924)
Untitled (woman under a tree)
Oil on board
49.5 x 59cm
no.10365

Visit our website to view other works by David Boyd


David Boyd (b.1924)
Boy Chasing White Cockatoo
Oil on canvas
59 x 69cm
signed 'David Boyd' Lower left
no.10368

Visit our website to view other works by David Boyd


Zhong Chen (b.1969)

Zhong Chen (b.1969)
Beijing Girl 6 2009
Oil on linen
132 x 132 cm
no.10665

Visit our website to view other works by Zhong Chen




Upcoming Exhibition

Tony Irving (b.1939)
Other places, other views
Opening Saturday 12 September 3-5pm

Tony Irving (b.1939)
Promise of things to come
oil on linen
51 x 112cm
no.10802

Visit our website to view other works by Tony Irving


Tony Irving (b.1939)
Roman Spring
gouache on arches paper
45 x 63cm
no.10800

Visit our website to view other works by Tony Irving


Geoffrey Proud (b. 1946)

Geoffrey Proud (b. 1946)
Madrigal
pastel on paper
67 x 47cm
signed 'Proud' lower right
no.10167

Visit our website to view other pastels by Geoffrey Proud


Geoffrey Proud (b. 1946)
Steam Shovel Love
pastel on paper
61 x 76cm
signed 'Proud' lower right
no.10165

Visit our website to view other pastels by Geoffrey Proud




Featured Graphic

John Olsen (b.1928)

John Olsen (b.1928)
Papegeno
Etching 42/60
60 x 44cm
Commissioned by the Australian Opera for its
Australian Opera's 40th Anniversary Print Portfolio
(to be sold individually)
no.7734

Visit our website to view other graphics by John Olsen

Current Exhibition

August
Gallery 1: Victor Rubin
Gallery 2: Winter Exhibition


Upcoming Exhibitions

September
Gallery 1: Tony Irving
Gallery 2: Spring Exhibition
Gallery 1: Judy Cassab & John Seed

October
Gallery 1: Spring Exhibition
Gallery 2: Sam Wade
Gallery 2: Rosemary Valadon
Gallery 2: Madeleine Winch

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