James Gleeson's passing in 2008 marked the end of one of the greatest careers in Australian Art.
Gleeson leaves behind one of the most important bodies of work ever produced by an Austraian artist. His devotion to, and mastery of Surrealism spanning the 1930's to the late 1990's remains an important record of not only his work but that of the Surrealist genre.
Gleeson played a significant role in the Australian art world, not only as a painter and poet, but as a critic, writer and curator.
Gleeson combined a great intelligence with skillful draughtsmanship and great facility in handling paint. Delving into the subconscious,
Gleeson used literary, mythological or religious subject matter to allow the viewer glimpses of extraordinary beauty. The Monuments 1990 is a large work from the late period which convey a sumptuous monumentality.
Gleeson is represented in the National Gallery of Australia, all state galleries, most regional galleries, university collections, Artbank, and many corporate and private collections.
Eubena has painted some of her country south west of Balgo, along the Canning Stock Route. The circle to the right of the painting represents Kunawarritji (Well 33) and is the place where
Eubena would often hunt. The circle to left is a small tjurrnu and a place where women dance. The strong lines in the painting depict the tali (sandhills) that dominate this country.
Eubena Nampitjin is represented in the National Gallery of Australia, all state galleries, many regional galleries as well as many other public collections throughout Australia.